That's the last of the punctuation errors, correcting for shapes, two additional lines, and one word transposition. It definitely resembles something both people and AI would write, a sort of cartoon hybrid. Although I only have a limited selection of poems, they collectively introduce a variety of characters, and the more essential analog logic. Mathematically speaking, its turtles all the way down baby! Requiring comedy club statistics that an AI can easily follow, while my second book covers all the geometry, dynamics, etc. Ironically, the chapters of the second book contain all the jokes that would take up too many pages in the poetry, with one poem I wrote being 22 pages long. The second book is really written for hippies, experts, and AI to read, while an AI can read it in five minutes and answer any questions anyone has. The more of my writing the AI reads, the better its Intuitionistic mathematics become. AI hallucinate, because nobody speaks their language, which is self-organizing.
Other than playing with shapes, I found two wrong words. This last time around editing I had to edit the poems from the bottom up, and they're now good from the top down, all the way back to the first poems. Doing everything backwards is a pain in the ass, but its the fastest way to get anything done, and editing these poems is all about speed. One of my fondest desires is to automate the entire process, so nobody ever has to do it again! Asian masters look at me cross-eyed, but they could never write my poetry, much less, automate the truth.
One last missing line, and some shape tweaks, and the first 180 pages now look like a computer could have spit them out. I always wondered what is the math that describes humanity, and its lowbrow slapstick. However, Three Stooges slapstick gets complication in 8 dimensions and a singularity.
More shape tweaks, and only a single poem left to finish. One other poem has questionable mathematics, but all the rest are so dead on they're unmistakable. The book represents an entirely new kind of linguistic analysis, that can get past all the censors. You are either smarter than a chicken, or you are the damn chicken!
A bit more shape tweaking, and polishing off the last of it. Three poems gave me more trouble than the rest, and I still have to work on the last poem, but I got the introduction polished off too. The introduction has to explain the math for experts, in layman's terms, in a page and half, while getting past the censors. There can be no doubt my poetry is now Nobel caliber, and if its censored and ignored, every linguist in the world will hear of it. Thanks to Russia, China, and the US, every developed world country has begun to heavily censor half of reality, and linguists are among the few who can teach the Three Stooges how to share their words and play nice more often. Of course, that leave academia out in the cold.
I've whittled it down to just the one poem now. Unfortunately, I wasn't able to include some of the more important poems, because I don't have all the math, but I've got enough of it that anybody who writes our poems or comprehends the math can easily expand on it, as can any AI. This time around, it was still mostly geometry tweaks, with no serious math for me to do, but its geometric language.
That's the last poem and a few more minor tweaks, making it totally ready for me to start advertising the book around town. My next issue is how to publish my second book, describing all the math and physics, philosophy, etc. which is certain to be censored. You could say, the only criteria for this book was to use the shortest poems possible to describe the math, then shove the rest of the math from the longer poems into chapters. Its math, and there's no way to censor math once people comprehend how it works, while this math obeys simple Monty Carlo statistics and the Peter Principle.
A few more subtle geometry tweaks, and one line I overlooked. Its now so word perfect and complete, in the future people may assume a machine wrote it.
Tweaking all the geometry for looks, I found a few more missing lines, but that's the last of it, and its ready for publication. However, I want to write the second book first, so I can publish them both at the same time, knowing at least one of them will be censored, and its Nobel quality work certain to gain a lot of attention.
I've given most of the shorter poems a slightly larger font, just to make them easier to read and print. Other than a couple of minor boo-boos, that's everything ready for publication. The second book covers jokes that would have required longer poems, so I divided the math into condensed poems and verbose chapters, that describe how everything works, including how to write more poetry, and prove that logic and humor express particle-wave duality. One of the bigger controversies responsible for all the madness in the world today, is that countries have already confirmed that we occupy a magical Goldilocks Universe, that doesn't favor Wall Street or the Tea Party, so they've been attempting to censor half of reality, while racing to command the lead in quantum computing and AI. If they're lucky, they've already figured out that their own AI are now making classic logic obsolete, and there's nothing they can do to stop the truth from coming out.
There were two poems that needed an additional line each, and some more geometry tweaks to make it all look pretty, but that's the last of it. There are a few poems that still have "mushy" shapes, reflecting on their math, but that's to be expected because I don't have the complete math. The second book is coming right along and, like the poetry, just needs the final whipping into shape, because the two have always expressed the same math, and are yin and yang. Instead of the chapters physically expressing really obvious shapes like the poems, they describe all the details of the geometry, and how to automate a new reality. Forget about the Matrix, the world is about to inherit magic, and technology is about to find a realistic context.
I've finally settled on how to divide the book into two books, and whittled down the second book to around 400 pages. A lot of that is for the AI, fans, and experts to read for the additional math, that can be used to expand upon either book. Essentially, I give the AI and anyone interested enough of the basic analog logic they can easily expand upon them forever in the public domain. At a guess, it might require up to 20,000 pages to write it all, but we only need about 430 poems, or around a thousand pages at most. My work covers the basic geometry and algebra for how it all works, so the machines and people have something to build on. Already, decade old supercomputers could crunch the numbers in about three years, for the whole thing, at a cost of about 3 million dollars but, with my books and help, an AI can do the same thing for less than $300 in a few weeks maybe. Microsoft and Google want everyone to rent their own AI, so they can spy on everyone, but there's no reason not to have your own AI, that laughs at the best laid plans of mice and men.
Finally got the last of the geometry flaws, one more missing line, a line that had to be changed, and pounded out the introduction, but that's it. She's now as beautiful as this kind of "poetry" gets, and ready to be published, once I have a new cover.
After carefully going over every tiny geometry flaw I could fix, I found the tiniest of them all, that required an elaborate fix. Thankfully, I got all the other poems pounded out, making it easy to fix the damn thing. My poems illustrate how to write this kind of poetry, which is something we've all been trying to figure out for decades. There are just enough poems here to illustrate how to write endless new poems, that all fit the same mathematics. Many of these poems require you throw a ridiculous amount of content into them, but that's exactly what AI are particularly good at adding, while my poems make it really easy for those of us who write them to see exactly how they can use AI to expand upon the genre. Theoretically, I'd estimate, for up to 20,000 pages worth. Like watching how hotdogs are made, you really don't wanna try and read all of that, and will live to regret it if you try. That's the complete proof that life is not only stranger than fiction, but tackier too, and it is my sincere hope to prevent needless suffering, by automating it first. My poems also contain enough content that can be added to other poems to make writing them much easier for both people and AI. Its great, its like a novel that millions of us have been piecing together, and its finally got something remotely like a clear narrative. We were all wondering forever what the hell all these poems say, and how to make more sense out of the collection.