I was checking out this video on Haitian Vodou drumming. It dawn on me that the drummers here are very good with the music they are playing but I doubt if any of them can read music. So my question is how are these musicians able to put this music together when they probably don't play using notes like most trained musicians do? https://www.youtube.com/watch?v=F-NErmEy_kI
You don't need to be able to read music to make music or even be a great musician. Many of the best musicians never learned to read music. Some of the best music comes from simply improvisation.
Teaching probably gets passed down verbally and through demonstration. Really in what we would call a chromatic scale, a scale that covers every note in an octave is less than 20 notes for most instruments, so even if they don't inherently understand the instruments and notes by music notation, it's not a ton of notes to learn and they likely train by ear and pick up these types of things through repetition.
Indeed, creating music and learning how to play just by hearing and demonstration can work at least as good as going from a basis where you use sheet music. I thought for the observational music lover this was evident.
No offense but this strikes me as a silly question. It is almost like asking how stories existed before written word. Music was around a long time before sheet music. Rhythm and the ability to identify different tones is ingrained in (most) humans, it isnt really something we learn only after learning to read music. Most musicians I know can't read music. Whereas I actually can read it but it doesnt really translate into the ability to play it well.
To be fair to the OP, Music theory, for instance such musical concepts as say a " Perfect Fifth" date back to Ancient Greece. It seems that in the Western tradition, at least, the idea that there is a structure to music, that it can be notated or formalized in a structured way perhaps goes nearly far back as written word. So I like your analogy, but at the same time I think OP highlights that we may not really have the reference point to separate Music Theory from playing Music.
Just to add on to what I'm asking. How do these musicians structure or organize what they are playing to keep it from sounding messy when they aren't playing from written music? There are several drummers in that video so how are they making it all sound "tight" like they do and not sounding "all over the place" if you know what I mean? If you gave six Americans who couldn't read music those instruments used in the video and told them to play something more than likely it would sound like a mess because they wouldn't know how to structure their playing to make it sound tight and together like those Haitian musicians. So how do those Haitian musicians,who also probably don't read music,make their playing work without it sounding messy?
Can you listen and carry on a conversation? It's the same thing. If you've ever been in a band and rehearsed you will know that almost nobody reads at them but arrangements are discussed. If you go to a drum circle you will sit listen and add your voice. It is all the same thing. C/S, Rev J
This seems close to answering my question. Since I highlighted some Haitian music I looked for some related west African music. This explains how the Ewe people of Ghana play their music.
I was glad to see the reference to Haitian drumming. It comes from the spirit, the soul and builds. Haitian culture is quite interesting to me. This is what separates being taught by someone from just learning by yourself. Sure you'll get pointers online or by watching and listening to others, but training can be limiting. I tried instruction a few years ago and it didn't work out. They taught kids and older women, as they were also. So it was awkward for me because it was for them. And now I'm self learning as I go. I played when I was much younger, learned on my own then. I believe true music comes from within, from the soul. An expression of your true self. I figure if Hendrix can teach himself then why not anyone else?
I think a lot of people, if they were to put aside the ultimate stone of achievement they might find they can attain anything they want to by nothing more than having motivation and an open and experimental mind. Often curriculum leads to more confusion than enlightenment. The patterns that make life interesting are not arbitrary, they are there already before we think/thaught of them.
How did you learn to talk before you could read? By learning the language of language, rather than the rules, but, if you were lucky, you learned from people who had absorbed the rules into their patterns.
Yeah, the question in the thread title is kind of like asking "how did people communicate before they had the internet"
Here is one of my favorite musicians discussing this concept and doing a very good job of putting it very concisely: https://www.youtube.com/watch?v=3yRMbH36HRE C/S, Rev J