- Nag Champa -

Discussion in 'Writers Forum' started by RELAYER, Oct 9, 2007.

  1. RELAYER

    RELAYER mādhyamaka

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    - Nag Champa -

    Her left hand sliding down the stone wall for support, Brooke
    takes her steps lightly and with care. Her white dress rests
    just at her wobbling knees as her thin legs tremble
    slightly during her descent down the dark stairwell.
    struggling for a moment to pull the front door open, she
    gives it her strength and steps out into the setting sun
    atmosphere, with night falling into place and a shift in
    general as regards passing faces. Eyes trailing the street
    rest for a moment on her blushing face, which she returns
    with nervous glances darting in all sorts of directions.
    Standing on 4th by the corner of South she looks down towards
    Lombard and it looks to be light on people, compared with
    the gathering window shoppers and tourists swelling up
    behind her. Going to her left she puts her right hand to
    her short brown hair and pulls at it, but tears force
    themselves out from behind her eyes and drop down her cheeks,
    into her mouth. Biting her bottom lip and covering her
    face with her hands, she continues walking faster towards
    the growing darkness of the unlit alleyway which seems
    to stretch out to forever in front of her. Her vision begins
    to blur her surroundings into a single mess of dull colors
    and neon trails while she accidently walks directly into
    people, bumping and pushing her way though the crowd headed
    out to the nightlife scene. One man attempts to hold her
    when she falls into him but she shoves his hands away,
    making haste towards the safety of the space between two
    brick apartment buildings. Clutching her chest, Brooke
    wraps her arms around each other and stumbles into the alley.
    Her back hits the wall first, then she turns completley
    and trips over her own feet, sliding to ground. Leaning
    against the wall with her knees bent straight up, legs
    laid out clumsly in front of her, she burries her face in
    her hands as tears now flood out in streams. The leather
    sandals fall off her bare feet, and she pulls her head
    up to lay back against the wall, looking straight out
    into the thick crowd passing by. Pain surges up through
    every nerve in her body, strangling the life breath left
    pouring lightly out from her slightly parted lips. Giving
    one more smile to the gross state of the human race,
    her green eyes blurr out into black and her head falls
    forward again, hands grabbing the rocks, finally at
    peace and forever at rest. Brooke's body remained
    unnoticed here in this way until dawn climbed the sky
     
  2. floydianslip6

    floydianslip6 Senior Member

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    You certainly can write, but certain parts of this story feel forced. Often times I feel you're "trying" to write the story, and as a result try to jam as many descriptive pieces of information as possible into a place without a direction.

    This makes it hard to see the overall point of the story, what are you getting at here?

    Is this part of a larger work?

    Some examples of what I mean:

    setting sun and night falling into place? Is there another option during a setting sun? Likewise is there another option as night falls into place? Picking one would make this flow much more naturally.

    Why the "sorts"? It doesn't really match the diction of the rest of the story.

    "Looks" used twice makes this seem cluttered. This is an exmaple of LOTS of detail in one place. Perhaps this would be better as two sentences each focusing on the information you're trying to relay.

    "her" is used 10 times in two sentences. Again, so many details... but to what end?

    An exmaple of an unnecessary adjective. If she's wearing sandals of course her feet are bare. Typically this wouldn't make a difference at all. But because there is so much detail present already in the story everytime a detail is mentioned or a discriptive adjective is used it stands out. The reason for this is because the intention of all these isn't clear... what should I, the reader, be focusing on, which are important to the story? Even upon reaching the end I don't feel I understand what you're trying to convey.
     
  3. RELAYER

    RELAYER mādhyamaka

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    Thanks Floydian :)
    This is the best I could manage to write while
    remaining on the phone trying to broker freight,
    give directions, and talk to my coworkers at
    the same time.
    It is EXTREMELY foreced lol.
    I definitley plan on touching it up, and thank you
    for the tips.

    btw, some people wear socks with sandals, just
    pointing that out. -
     
  4. floydianslip6

    floydianslip6 Senior Member

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    hehe I was thinking about that when I wrote the comment...

    I just figured based on character development and story title she'd be barefoot.

    Definitely post up the revisions!
     
  5. RELAYER

    RELAYER mādhyamaka

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    Yea, it was very very rushed and I could just barely
    even remember each sentence I wrote as I moved
    forward.
    Here is my revision ideas though.
    1. Start off the story with a slight reference to her
    in some way as having shot up a lil too much dope,
    2. As she is dying ,the crowd is rioting in the street
    rather than going shopping, and she is oblvious
    to the fact.
    3. Use of the word her no more than 10 times throughout lol.
     
  6. RELAYER

    RELAYER mādhyamaka

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    See, because with a riot going on in South Philly, now
    that would just be an awesome time to die from a drug
    overdose. I know philly, I know the drug, I know the
    girl Brooke, and her stories (since you asked if its part
    of something bigger, which it is actually!) typically
    involve much surreal and dreamy situations, and this,
    I think, would just be perfect, and also better explain
    why no one found her body until the morning. I dont know,
    what do you think? Good idea? I will try and write it
    properly tonight :)
    *One more thing, I omitted a part where she came upon
    two black muslims who address each other and speak in
    some Arabic, and they were selling Nag Champa outside
    of a overprice clothing store as a front to selling cocaine,
    (which is something that really happened to me, once) and
    this was were the title came from. But other than the
    arabic, i couldnt force any dialouge so I omitted it completley
    for now. But Im thinking I would like the story to be
    totally void of any conversation, so I will leave this out
    still but Im going to let the title alone, at least for now.
     
  7. floydianslip6

    floydianslip6 Senior Member

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    I think that story sounds pretty interesting. Just make sure to get it across and not get too wrapped up in the small picture.
     
  8. usfcat

    usfcat CaterCreeps

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    I def. liked this one :)
     
  9. Fedora

    Fedora Member

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    Great job Relayer. I figured out the end (about the OD) without you using another reference. I thought this fact was great because it makes the reader think and draw a conclusion on his or her own. Again great writing and keep up the good work. Peace be with you!!!
     
  10. natural philosophy

    natural philosophy bitchass sexual chocolate

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    i wouldn't explain that she is ODing. i think it's pretty obvious at the end, or if not, it's more exciting to think about what it could have been rather than being told what it is.

    sometimes when i write, i leave out certain details that could be important for that effect. i like the premise of somebody ODing in an alley, though. cool stuff john
     
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