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geckopelli
09-06-2004, 04:47 PM
There’s been some interest expressed in screenwriting lately, so for neophytes:

Screenplays come in two basic forms: the spec script and the shooting script. The shooting script is the one commonly available, containing CLOSE-UP, and ZOOM IN, and (CONT), and ROLL CREDITS, etc.
The spec script (spec for speculation) is a screenplay that is designed to be read with minimal intrusion from technical direction.
So we are concerned only with the spec script, as this is what’s marketed.

Basic format:

CAPITALIZE THE TITLE

Fade in:

EXT. THE “SHOT” OR SCENE GOES HERE IN CAPS. “EXT.” (EXTERIOR) OR “INT.” (INTERIOR) STARTS THE DESCRIPTION, ACCORDINGLY, AND “-“ FOLOWED BY “DAY’ OR “NIGHT” OR A MORE SPECIFIC TIME IF NECESSARY TO THE STORY- DAY.

The action that is occurring is described thusly, in the present tense. It’s Sunday, and the library is practically deserted. SELA, a beautiful young graduate student with a touch of impatient haughtiness about her, sits in front of a computer staring intently at the monitor screen. Notice that the characters name is capitalized- but only the first time that character appears. Also note the brief description of Sela. It’s up to the casting director and the actress to fill her out.

CHARACTER
Dialogue here under the capitalized
characters name. This should be
centered, but the format here won't
allow it.Periods, commas,
semi-colons, colons, and question
marks are the only acceptable
punctuation, NO exclamation points.
The dialogue extends about 20 spaces
both ways from the center.

That’s the basics- Shot, Action, Dialogue, although the order of action and dialogue is not fixed.

One trick of spec writing is sneaking in directions that don’t read like directions. In the following example, note the characters name written alone and capitalized indicating a shot.

Everything that appears has not been covered, but it’s fairly self-explanatory. However, feel free to ask questions. (OS) means “off screen”.

geckopelli
09-06-2004, 04:53 PM
[Again, the dialogue should be centered]


THE WEST RIVER SHADOW

Fade In:

2001
A LARGE UNIVERSITY CAMPUS. A SIGN ON A BUILDING READS “LIBRARY”- DAY

INT. THE LIBRARY- SAME

It’s Sunday, and the library is practically deserted. SELA, a beautiful young graduate student with a touch of impatient haughtiness about her, sits in front of a computer staring intently at the monitor screen.

INSERT- THE MONITOR SCREEN

The top of the web page reads “Indigenous Life of Southwest Florida”.
Sela is clicking through the pages.

MONTAGE- THE MONITOR SCREEN
-- an article on Panthers
-- an article on Alligators
-- an article on wild pigs

BACK TO SCENE

PROFESSOR JERROD
(OS)
I see you’re busy preparing for tomorrow’s
little trip. Sela never removes her eyes from
the screen.

SELA
Good afternoon, Professor.

PROFESSOR JERROD, a small middle-aged man, who, from his ill-fitted cheap suit to his thick glasses, personifies academia, enters the shot. He leans in and peers over Sela’s shoulder.

INSERT- THE MONITOR SCREEN

A pygmy rattlesnake is on the screen.

PROFESSOR JERROD
(OS)
Quite poisonous and aggressive that one.

BACK TO SCENE

Sela turns toward Professor Jerrod.

SELA
I’ll be careful. It seems to be the
only real danger in the area.

PROFESSOR JERROD
Alligators and diamondbacks are easily
avoided. These little fellows will take refuge
in the most inconspicuous places. Why, I
knew a man once-

Mischievously, Sela questions The Professor.

SELA
Anything else I should watch out for?

PROFESSOR JERROD

Looks indecisive and slightly befuddled.

PROFESSOR JERROD
Really, Sela. There’s a local monster legend...

Professor Jerrod pauses, looks embarrassed, as if concealing something.

SELA
Skunk-ape?

PROFESSOR JERROD
There are many similarities with the common
Sasquatch tales of the region...

SELA
Don’t tell me you believe in
Bigfoot, Professor?

PROFESSOR JERROD

Laughs, a slightly forced effort.

Sela searches his face with amused suspicion.

PROFESSOR JERROD
Monster legends have long fascinated me,
it’s true. But I’ve yet to encounter one in
the, ah, flesh, so to speak. In fact, I’m driving
down to the area myself tonight. A little
investigation of my own, you know. I’ve
taken a short leave- Perhaps I’ll find
something of interest. Have you taken
Astronomy, Sela?


Sela is taken aback by the non sequitur.

SELA
Ah- yes...

PROFESSOR JERROD
The sunspot cycle seems to be peaking
right now.

SELA

Looking perplexed and slightly annoyed.

PROFESSOR JERROD
Well, in any case,
(he lightly touches Sela’s arm)
Be careful, won’t you?

Sela tactfully slides away from his touch

SELA
I’ll be careful, Professor.

Professor Jerrod looks at his hand curiously, then back at Sela.

PROFESSOR JERROD
Yes. You do that.

MattInVegas
09-06-2004, 09:34 PM
There’s been some interest expressed in screenwriting lately, so for neophytes:

Screenplays come in two basic forms: the spec script and the shooting script. The shooting script is the one commonly available, containing CLOSE-UP, and ZOOM IN, and (CONT), and ROLL CREDITS, etc.
The spec script (spec for speculation) is a screenplay that is designed to be read with minimal intrusion from technical direction.
So we are concerned only with the spec script, as this is what’s marketed.

Basic format:

CAPITALIZE THE TITLE

Fade in:

EXT. THE “SHOT” OR SCENE GOES HERE IN CAPS. “EXT.” (EXTERIOR) OR “INT.” (INTERIOR) STARTS THE DESCRIPTION, ACCORDINGLY, AND “-“ FOLOWED BY “DAY’ OR “NIGHT” OR A MORE SPECIFIC TIME IF NECESSARY TO THE STORY- DAY.

The action that is occurring is described thusly, in the present tense. It’s Sunday, and the library is practically deserted. SELA, a beautiful young graduate student with a touch of impatient haughtiness about her, sits in front of a computer staring intently at the monitor screen. Notice that the characters name is capitalized- but only the first time that character appears. Also note the brief description of Sela. It’s up to the casting director and the actress to fill her out.

CHARACTER
Dialogue here under the capitalized
characters name. This should be
centered, but the format here won't
allow it.Periods, commas,
semi-colons, colons, and question
marks are the only acceptable
punctuation, NO exclamation points.
The dialogue extends about 20 spaces
both ways from the center.

That’s the basics- Shot, Action, Dialogue, although the order of action and dialogue is not fixed.

One trick of spec writing is sneaking in directions that don’t read like directions. In the following example, note the characters name written alone and capitalized indicating a shot.

Everything that appears has not been covered, but it’s fairly self-explanatory. However, feel free to ask questions. (OS) means “off screen”.
Gecko. You KNOW I respect your work. But, can I get a larger font size???

geckopelli
09-06-2004, 11:27 PM
That's the way it came over from Final draft.


I'm not too good at this- is it better as corrected?